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From Phenomena in Nature to Microexpression Portraits

Marcel Duchamp divided art into the "retinal" and the "conceptual" — the former designed to be perceived by the eye, the latter to be grasped by the mind. The nature of an art experience is in some ways highly subjective and contextually complex. Recent work in the psychology of perception shows that visual perception is largely constructed by inference and imagination, rather than as a literal translation of direct sensory input. Pamela Davis Kivelson's work, Before Recognition, seeks to illuminate how the biology of the brain's functioning influences the perception of art. Current work explores the microexpressions that move rapidly across the face in the context of anxiety producing and ambiguous daily events.

View a QuickTime video of the installation at chambersprojects/la finestra, Los Angeles, California. Images by Pamela Davis Kivelson and Peter Bogdanoff; video/audio installation by Peter Bogdanoff.

Crowds

Revolutionary Crowds. Cantor Art Center.

Orange Positive Curvature

Orange Positive Curvature.

Slave

Slave Installation. Wallenberg Hall, Stanford University.

After Goya

After Goya

Gaze Tracker

Gaze Tracker. Krannert Art Museum. See video.

Tree Trunks

Ferns and Trunks, Djerassi.

Social Resistance

Protest

Cascade Structure

Cascade Structure

Bumps

Bumps, Djerassi

The Soliton Wave

"The Soliton Wave" painting. Krannert Art Museum.

Meeting Flies

Meeting Flies.

Frustrated Icoshahedron

"Frustrated Icoshahedron". Krannert Art Museum.

Courting Flies

Courting Flies.

chambersprojects/la finestra, Los Angeles.

Opal

Opal on canvas 60", Wallenberg Hall, Stanford University.